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Leocadia Painting ID:: 50803
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Francisco Goya Leocadia mk214
c.1821-3
Oil on plaster transferred to canvas
147x132cm
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Two Old Men Painting ID:: 50804
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Francisco Goya Two Old Men mk214
c.1821-3
Oil on plaster transferred to canvas
144x66cm
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Leandro Fernandez de Moratin Painting ID:: 50805
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Francisco Goya Leandro Fernandez de Moratin mk214
1824
Oil on canvas
54x47cm
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Diligencias Nuevas o sillas de espaldas Painting ID:: 50806
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Francisco Goya Diligencias Nuevas o sillas de espaldas mk214
1824-6
Black chalk with panecil
19.1x15.2cm
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Mendigos q se lleban solos en Bordeaux Painting ID:: 50807
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Francisco Goya Mendigos q se lleban solos en Bordeaux mk214
1824-6
Black chalk
18.4x14.2cm
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Francisco Goya
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1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23). |
Related Artists::. | TIBALDI, Pellegrino | Karl Bodmer | Paul Berthon | |
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